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Recording Engineering

Stray Media

Starting like many recording engineers, I was 15 years old the first time I multi-tracked myself by bouncing between two cassette tape decks. This would be my first introduction to recording, and by the time I was 18 I had obtained a copy of Sonic Foundry Acid, a multi-tracking software capable of MIDI for keyboard parts. Soon I would switch to a combination of Cubase and a hard-disc recorder, producing a lot of singer songwriter content with friends in 2003 and 2004. I realized I had the knack and the personality to be an audio engineer and producer, so I asked my parents for help in attending a six month program at Musician's Institute in Hollywood, California.

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I learned Pro Tools and practiced on SSL's and Neve's, realizing I could do this virtually anywhere, and quickly found myself employed in helping people with audio tasks and recordings bands and songwriters.

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Since 2006, I've worked with clients across every genre to produce recordings all along the West Coast of the USA. I've worked to produce blues, acoustic, country, rock, hip-hop, EDM, spoken word, Norteño, CCM, and audio for video (audio post) including narration, foley, and field recording.

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